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		<title>[단평] 연극 영지 </title>
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		<pubDate>Mon, 11 May 2026 05:37:13 +0000</pubDate>
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		<category><![CDATA[공연리뷰]]></category>
		<category><![CDATA[공연비평]]></category>
		<category><![CDATA[공연예술]]></category>
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		<category><![CDATA[공연후기]]></category>
		<category><![CDATA[모두예술극장]]></category>
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		<category><![CDATA[연극영지]]></category>
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		<category><![CDATA[이진]]></category>
		<category><![CDATA[청소년극]]></category>
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					<description><![CDATA[<p>농인 당사자 배우가 연기하지만, 장애에 대한 화두 대신 &#8216;나답게&#8217; 살라는 어린이의 목소리를 담아낸 수어 연극. 현실에선 착하지도, 천사 같지도 않은&#46;&#46;&#46;</p>
<p>게시물 <a rel="nofollow" href="https://saicriticism.com/%eb%8b%a8%ed%8f%89-%ec%98%81%ec%a7%80/">[단평] 연극 영지 </a>이 <a rel="nofollow" href="https://saicriticism.com">사이:비평</a>에 처음 등장했습니다.</p>
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<p class="wp-block-paragraph">농인 당사자 배우가 연기하지만, 장애에 대한 화두 대신 &#8216;나답게&#8217; 살라는 어린이의 목소리를 담아낸 수어 연극. 현실에선 착하지도, 천사 같지도 않은 영지는 판타지 세계에서조차 마녀가 되지만 사냥당하는 게 아닌 스스로 환생하길 택하며 새로운 세상으로 문을 열고 떠난다. 오색찬란한 무대와 의상·소품, 영지의 행보를 정리하고 때론 목소리도 대변하는 소리꾼의 소리, 춤과 퍼포먼스에 가까운 수어 연기까지 70분간의 요란함은 잠시도 멈추지 않는다. 그러한 소란스러움은 장애·어린이와 청소년·여성에 대한 편견과 억압을 통쾌하게 부숴버리는 커다란 목소리였다.</p>



<p class="has-text-align-right wp-block-paragraph">ㅡ 공연예술평론가 이진</p>
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<p class="wp-block-paragraph"><strong>연극 〈영지〉</strong><br>2026.04.30.–05.10. 모두예술극장<br>작 허선혜 / 연출 김미란<br></p>
<p>게시물 <a rel="nofollow" href="https://saicriticism.com/%eb%8b%a8%ed%8f%89-%ec%98%81%ec%a7%80/">[단평] 연극 영지 </a>이 <a rel="nofollow" href="https://saicriticism.com">사이:비평</a>에 처음 등장했습니다.</p>
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