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	<title>이철희 &#8211; 사이:비평</title>
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		<title>[단평] 연극 외경</title>
		<link>https://saicriticism.com/%eb%8b%a8%ed%8f%89-%ec%99%b8%ea%b2%bd/</link>
					<comments>https://saicriticism.com/%eb%8b%a8%ed%8f%89-%ec%99%b8%ea%b2%bd/#respond</comments>
		
		<dc:creator><![CDATA[홍서아]]></dc:creator>
		<pubDate>Thu, 17 Sep 2026 19:19:49 +0000</pubDate>
				<category><![CDATA[단평]]></category>
		<category><![CDATA[연극외경]]></category>
		<category><![CDATA[연극평론]]></category>
		<category><![CDATA[외경]]></category>
		<category><![CDATA[이철희]]></category>
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		<category><![CDATA[홍서아]]></category>
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					<description><![CDATA[<p>이타심과 존재론이 49:51로 팽팽한 대사액션. 2인극으로 충분했을 무대에 5분 남짓 올라 멕시코말만 남기고, 얼굴도 없이 무대 밖을 떠도는 제3의 인물&#46;&#46;&#46;</p>
<p>게시물 <a rel="nofollow" href="https://saicriticism.com/%eb%8b%a8%ed%8f%89-%ec%99%b8%ea%b2%bd/">[단평] 연극 외경</a>이 <a rel="nofollow" href="https://saicriticism.com">사이:비평</a>에 처음 등장했습니다.</p>
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<p class="wp-block-paragraph">이타심과 존재론이 49:51로 팽팽한 대사액션. 2인극으로 충분했을 무대에 5분 남짓 올라 멕시코말만 남기고, 얼굴도 없이 무대 밖을 떠도는 제3의 인물 — 무엇을 뺄지보다 어디에 1을 더할지를 고민한 흔적이 삼연의 군더더기. 그럼에도 하고자 하는 말은 끝내 전달하는 작가의 뚝심.</p>



<p class="wp-block-paragraph">-공연예술평론가∙연극학연구자 홍서아</p>
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<p>게시물 <a rel="nofollow" href="https://saicriticism.com/%eb%8b%a8%ed%8f%89-%ec%99%b8%ea%b2%bd/">[단평] 연극 외경</a>이 <a rel="nofollow" href="https://saicriticism.com">사이:비평</a>에 처음 등장했습니다.</p>
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